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Q: The Winged Serpent ; , described by critic Chris Petit as "the kind of movie that used to be indispensable to the market: an imaginative, popular, low-budget picture that makes the most of its limited resources, and in which people get on with the job instead of standing around talking about it".

In the words of one newspaper critic, it was a "shoestring tour de force ". One of the most successful s B studios was a survivor from the heyday of the exploitation era, Troma Pictures , founded in Troma's best-known production is The Toxic Avenger ; its hideous hero, affectionately known as Toxie, was featured in several sequels and a TV cartoon series.

The video rental market was becoming central to B film economics: Empire's financial model relied on seeing a profit not from theatrical rentals, but only later, at the video store.

The growth of the cable television industry also helped support the low-budget film industry, as many B movies quickly wound up as "filler" material for hour cable channels or were made expressly for that purpose.

By , the cost of the average U. Three more—the science-fiction thriller Total Recall , the action-filled detective thriller Die Hard 2 , and the year's biggest hit, the slapstick kiddie comedy Home Alone —were also far closer to the traditional arena of the Bs than to classic A-list subject matter.

Surviving B movie operations adapted in different ways. Releases from Troma now frequently went straight to video.

New Line, in its first decade, had been almost exclusively a distributor of low-budget independent and foreign genre pictures. In , New Line was sold to the Turner Broadcasting System ; it was soon being run as a midsized studio with a broad range of product alongside Warner Bros.

A New York Times reviewer found that the initial installment qualified as "vintage Corman At the same time as exhibition venues for B films vanished, the independent film movement was burgeoning; among the results were various crossovers between the low-budget genre movie and the "sophisticated" arthouse picture.

The film's imagery was another matter: "On its scandalizing surface, David Cronenberg's Crash suggests exploitation at its most disturbingly sick", wrote critic Janet Maslin.

This result mirrored the film's scrambling of definitions: Fine Line was a subsidiary of New Line, recently merged into the Time Warner empire—specifically, it was the old exploitation distributor's arthouse division.

New York Times critic A. Scott warned of the impending "extinction" of "the cheesy, campy, guilty pleasures" of the B picture.

On the other hand, recent industry trends suggest the reemergence of something like the traditional A-B split in major studio production, though with fewer "programmers" bridging the gap.

The economic model was deliberately low-rent, at least by major studio standards. It's also encouraging filmmakers to shoot digitally—a cheaper process that results in a grittier, teen-friendly look.

And forget about stars. Of Atomic's nine announced films, not one has a big name". As the Variety report suggests, recent technological advances greatly facilitate the production of truly low-budget motion pictures.

The development of digital cameras and postproduction methods now allow even low-budget filmmakers to produce films with excellent, and not necessarily "grittier", image quality and editing effects.

At the same time, [since the early s], the quality of digital filmmaking has improved dramatically. In a similar way, Internet sites such as YouTube have opened up entirely new avenues for the presentation of low-budget motion pictures.

The terms C movie and the more common Z movie describe progressively lower grades of the B movie category. The terms drive-in movie and midnight movie , which emerged in association with specific historical phenomena, are now often used as synonyms for B movie.

The C movie is the grade of motion picture at the low end of the B movie, or—in some taxonomies—simply below it. The "C" in the term then does double duty, referring not only to quality that is lower than "B" but also to the initial c of cable.

Helping to popularize the notion of the C movie was the TV series Mystery Science Theater —99 , which ran on national cable channels first Comedy Central , then the Sci Fi Channel after its first year.

Updating a concept introduced by TV hostess Vampira over three decades before, MST3K presented cheap, low-grade movies, primarily science fiction of the s and s, along with running voiceover commentary highlighting the films' shortcomings.

Director Ed Wood has been called "the master of the 'C-movie ' " in this sense, although Z movie see below is perhaps even more applicable to his work.

The term Z movie or grade-Z movie is used by some to characterize low-budget pictures with quality standards well below those of most B and even C movies.

Most films referred to as Z movies are made on very small budgets by operations on the fringes of the commercial film industry.

The micro-budget "quickies" of s fly-by-night Poverty Row production houses may be thought of as Z movies avant la lettre.

Latter-day Zs are often characterized by violent, gory or sexual content and a minimum of artistic interest; much of which is destined for the subscription TV equivalent of the grindhouse.

Psychotronic movie is a term coined by film critic Michael J. Weldon—referred to by a fellow critic as "the historian of marginal movies"—to denote the sort of low-budget genre pictures that are generally disdained or ignored entirely by the critical establishment.

According to Weldon, "My original idea with that word is that it's a two-part word. I very quickly expanded the meaning of the word to include any kind of exploitation or B-movie.

Use of the term tends to emphasize a focus on and affection for those B movies that lend themselves to appreciation as camp. B-television is the term used by the German media scholar Heidemarie Schumacher in her article From the True, the Good, the Beautiful to the Truly Beautiful Goods—audience identification strategies on German "B-Television" programs as an analogy to "B-movie" to characterize the development of German commercial television, which adopted "the aesthetics of commercials" with its "inane positiveness radiated by every participant, the inclusion of clips, soft focus, catchy music" as well as "promotion of merchandise through product placement".

Newly established commercial stations, operating without the burden of societal legitimacy, focused solely on profitability.

To establish and maintain viewer loyalty these stations broadcast reality shows, sensational journalism, daily soap operas, infotainment programs, talk shows, game shows and soft pornography.

From Wikipedia, the free encyclopedia. This article is about the film type. For other uses, see B movie disambiguation. Low-budget commercial film genre.

Main article: B movies Hollywood Golden Age. For British B movies, see Quota quickies. Main article: B movies in the s. Main articles: B movies exploitation boom and Midnight movie.

Main article: B movies since the s. Main article: Z movie. Main article: B-television. Encyclopedia Britannica.

Retrieved August 4, See also Schatz , pp. Taves like this article adopts the usage of "programmer" argued for by author Don Miller in his study B Movies New York: Ballantine.

As Taves notes, "the term programmer was used in a variety of different ways by reviewers" of the s p. Some present-day critics employ the Miller—Taves usage; others refer to any B movie from the Golden Age as a "programmer" or "program picture".

In its peak year, , Grand National did produce around twenty pictures of its own. Finler lists The Country Girl as , when it made most of its money, but it premiered in December The Seven Year Itch replaces it in this analysis the two films happen to be virtually identical in length.

See also Shapiro , pp. Rutgers University Press. See also p. It appears Corman made at least one true B picture—according to Arkoff, Apache Woman , to Corman's displeasure, was handled as a second feature Strawn [], p.

DVD Verdict. Archived from the original on October 20, Retrieved November 17, Hayward, cited in Biskind , p. Finler lists Hello, Dolly! The Owl and the Pussycat , 51 minutes shorter, replaces it in this analysis.

For purchase of Ivanna : Di Franco , p. See Reynaud also for Loden's fundraising efforts. Sense of Cinema.

Retrieved December 29, For its influence: Sapolsky and Molitor , p. For its influence and debt to Black Christmas : Rockoff , pp. Box Office Mojo.

Archived from the original on December 30, Retrieved January 8, Archived from the original on December 6, Dick Tracy literally had been B movie material—the character was featured in four low-budget RKO films in the s.

For how espionage and crimebusting thrillers were long "widely regarded as nothing more than B-movie fodder," see Chapman , pp. For details of the film's distribution, see Lewis , pp.

Archived from the original on January 17, Retrieved January 2, Retrieved August 13, Saroyan, Strawberry May 6, Archived from the original on February 25, Retrieved June 22, Spectrum Strategy Consultants.

Archived from the original PDF on February 3, Retrieved April 27, Film Threat. Archived from the original on March 10, Retrieved October 20, Archived from the original on October 12, Retrieved December 26, Utter Trash.

Archived from the original on September 11, Schüren Verlag, Marburg. Archer, Eugene Auty, Chris Balio, Tino [].

Bristol, UK, and Chicago: Intellect. William Johnson, pp. Englewood Cliffs, N. Hollywood Films of the Seventies.

Canby, Vincent Chapman, James Jefferson, N. New York: Da Capo. The Story of Film. New York: Thunder's Mouth. London: Netribution. Denisoff, R.

Serge, and William D. Romanowski Risky Business: Rock in Film. New Brunswick, N. Poshek Fu and David Desser, pp. Philip, ed. The Movie World of Roger Corman.

New York and London: Chelsea House. Epstein, Edward Jay New York: Random House. The Hollywood Story , 3d ed.

London and New York: Wallflower. London: B. Russ Meyer—The Life and Films. Haines, Richard W. The Moviegoing Experience, — Dallas: Heritage Capital.

Manchester, UK: Headpress. Durham, N. The Warner Bros. New York: Crown. The Columbia Story. London: Hamlyn. Midnight Movies.

Mark Jancovich, pp. Iain Robert Smith, pp. Nottingham: Scope. Hurd, Mary G. Women Directors and Their Films. Westport, Conn. The RKO Story.

New York: Warner. American Independent Cinema. London and New York: I. Beasts and Behemoths: Prehistoric Creatures in the Movies. Lanham, Md. Julia R.

Dobrow, pp. Hillsdale, N. Film Genre: Hollywood and Beyond , 2d ed. Edinburgh: Edinburgh University Press.

Santa Monica, Calif. Blaxploitation Films of the s: Blackness and Genre. New York and London: Routledge. Obituaries in the Performing Arts, Transforming the Screen: — New York et al.

Hollywood v. Philip Westerns in a Changing America, — Lyons, Arthur Mank, Gregory William Mathijs, Ernest, and Xavier Mendik,eds. The Cult Film Reader.

New York: Algora. New York: E. New York: W. Morrow, John Mottram, James New York: Macmillan. New York: St. Focus on the Western. O'Connor, John J.

Oppermann, Michael Ottoson, Robert Metuchen, N. New York: Columbia University Press. Prince, Stephen Berkeley: University of California Press.

Time Out Film Guide , 14th ed. London et al. Directing: Film Techniques and Aesthetics , 4th ed. Burlington, Mass. Morrisville, N. Rubin, Martin The Films of Joel and Ethan Coen.

James B. Weaver, pp. Mahwah, N. Thomas Schatz, pp. London: Faber and Faber. Boom and Bust: American Cinema in the s.

Horror International. Detroit: Wayne State University Press. Scott, A. Segrave, Kerry Silver, Alain, and James Ursini, eds.

Film Noir Reader. Pompton Plains, N. Syder, Andrew, and Dolores Tierney Taves, Brian []. Thompson, Howard Tuska, Jon Warren, Bill The Evil Dead Companion.

Ritcherson , Ashley Park. Unrated 91 min Comedy, Horror, Sci-Fi. When a nerdy sorority girl falls in love with a zombie, it's only a matter of time before a zombie apocalypse is unleashed on campus.

The sorority girl discovers that weed is the cure--now PG 84 min Comedy. Unrated 88 min Comedy. That is, until the assistant dean forces the Alphas to share their TV 92 min Action, Adventure, Comedy.

A giant crocodile goes head to head with a giant anaconda. The town Sheriff must find a way to destroy the two monsters before they kill the whole town.

Director: A. R 77 min Comedy, Horror. A fun weekend turns into madness and horror for a bunch of groupies looking for fun in a beaver infested swamp.

Not Rated 99 min Horror, Thriller. A young college student desperate for tuition money moves into a house that streams content to an X-rated website.

After a deranged fan determines the house's location, she finds herself in Votes: 8, R 88 min Comedy, Horror.

A typical weekend down the shore takes a bizarre turn as six girls and five obnoxious fist-pumpers become the unsuspecting targets of a deranged killer.

A mentally unstable woman begins a volatile descent into madness when she suspects her lover has left her for another woman. Forbidden Science is a unique blend of noir science fiction and erotic programming combining intelligent scripts, attractive characters with great production value.

Set in the near future, Sign In. Copy from this list Export Report this list. Refine See titles to watch instantly, titles you haven't rated, etc.

IMDb user rating average 1 1. Error: please try again. Alpha House Video Unrated 88 min Comedy 3. Lake Placid vs. Zombeavers R 77 min Comedy, Horror 4.

Goddess of Love 93 min Drama, Horror, Mystery 5. List Activity Views: , in last week

Clear your history. American Independent Cinema. They are where actors such as John Wayne and Jack Nicholson first became established, and they have provided work for former A movie actors, such as Vincent Price and Karen Hairy fat ladies. That Bex shiner, until the assistant Best free black amatuer porn sites forces the Alphas to share their London: Netribution. After a deranged fan determines the house's location, she finds herself in

Even a comparatively cheap, efficiently made genre picture intended for theatrical release began to cost millions of dollars, as the major movie studios steadily moved into the production of expensive genre movies, raising audience expectations for spectacular action sequences and realistic special effects.

Their disaster plots and dialogue were B-grade at best; from an industry perspective, however, these were pictures firmly rooted in a tradition of star-stuffed extravaganzas.

The Exorcist had demonstrated the drawing power of big-budget, effects-laden horror. But the tidal shift in the majors' focus owed largely to the enormous success of three films: Steven Spielberg 's creature feature Jaws and George Lucas's space opera Star Wars had each, in turn, become the highest-grossing film in motion picture history.

Even as the U. Double features were now literally history—almost impossible to find except at revival houses.

One of the first leading casualties of the new economic regime was venerable B studio Allied Artists, which declared bankruptcy in April The studio was sold off and dissolved as a moviemaking concern by the end of Despite the mounting financial pressures, distribution obstacles, and overall risk, many genre movies from small studios and independent filmmakers were still reaching theaters.

Horror was the strongest low-budget genre of the time, particularly in the slasher mode as with The Slumber Party Massacre , written by feminist author Rita Mae Brown.

In , New Horizons released a critically applauded movie set amid the punk scene written and directed by Penelope Spheeris. The New York Times review concluded: " Suburbia is a good genre film.

Larry Cohen continued to twist genre conventions in pictures such as Q a. Q: The Winged Serpent ; , described by critic Chris Petit as "the kind of movie that used to be indispensable to the market: an imaginative, popular, low-budget picture that makes the most of its limited resources, and in which people get on with the job instead of standing around talking about it".

In the words of one newspaper critic, it was a "shoestring tour de force ". One of the most successful s B studios was a survivor from the heyday of the exploitation era, Troma Pictures , founded in Troma's best-known production is The Toxic Avenger ; its hideous hero, affectionately known as Toxie, was featured in several sequels and a TV cartoon series.

The video rental market was becoming central to B film economics: Empire's financial model relied on seeing a profit not from theatrical rentals, but only later, at the video store.

The growth of the cable television industry also helped support the low-budget film industry, as many B movies quickly wound up as "filler" material for hour cable channels or were made expressly for that purpose.

By , the cost of the average U. Three more—the science-fiction thriller Total Recall , the action-filled detective thriller Die Hard 2 , and the year's biggest hit, the slapstick kiddie comedy Home Alone —were also far closer to the traditional arena of the Bs than to classic A-list subject matter.

Surviving B movie operations adapted in different ways. Releases from Troma now frequently went straight to video. New Line, in its first decade, had been almost exclusively a distributor of low-budget independent and foreign genre pictures.

In , New Line was sold to the Turner Broadcasting System ; it was soon being run as a midsized studio with a broad range of product alongside Warner Bros.

A New York Times reviewer found that the initial installment qualified as "vintage Corman At the same time as exhibition venues for B films vanished, the independent film movement was burgeoning; among the results were various crossovers between the low-budget genre movie and the "sophisticated" arthouse picture.

The film's imagery was another matter: "On its scandalizing surface, David Cronenberg's Crash suggests exploitation at its most disturbingly sick", wrote critic Janet Maslin.

This result mirrored the film's scrambling of definitions: Fine Line was a subsidiary of New Line, recently merged into the Time Warner empire—specifically, it was the old exploitation distributor's arthouse division.

New York Times critic A. Scott warned of the impending "extinction" of "the cheesy, campy, guilty pleasures" of the B picture. On the other hand, recent industry trends suggest the reemergence of something like the traditional A-B split in major studio production, though with fewer "programmers" bridging the gap.

The economic model was deliberately low-rent, at least by major studio standards. It's also encouraging filmmakers to shoot digitally—a cheaper process that results in a grittier, teen-friendly look.

And forget about stars. Of Atomic's nine announced films, not one has a big name". As the Variety report suggests, recent technological advances greatly facilitate the production of truly low-budget motion pictures.

The development of digital cameras and postproduction methods now allow even low-budget filmmakers to produce films with excellent, and not necessarily "grittier", image quality and editing effects.

At the same time, [since the early s], the quality of digital filmmaking has improved dramatically. In a similar way, Internet sites such as YouTube have opened up entirely new avenues for the presentation of low-budget motion pictures.

The terms C movie and the more common Z movie describe progressively lower grades of the B movie category. The terms drive-in movie and midnight movie , which emerged in association with specific historical phenomena, are now often used as synonyms for B movie.

The C movie is the grade of motion picture at the low end of the B movie, or—in some taxonomies—simply below it.

The "C" in the term then does double duty, referring not only to quality that is lower than "B" but also to the initial c of cable.

Helping to popularize the notion of the C movie was the TV series Mystery Science Theater —99 , which ran on national cable channels first Comedy Central , then the Sci Fi Channel after its first year.

Updating a concept introduced by TV hostess Vampira over three decades before, MST3K presented cheap, low-grade movies, primarily science fiction of the s and s, along with running voiceover commentary highlighting the films' shortcomings.

Director Ed Wood has been called "the master of the 'C-movie ' " in this sense, although Z movie see below is perhaps even more applicable to his work.

The term Z movie or grade-Z movie is used by some to characterize low-budget pictures with quality standards well below those of most B and even C movies.

Most films referred to as Z movies are made on very small budgets by operations on the fringes of the commercial film industry. The micro-budget "quickies" of s fly-by-night Poverty Row production houses may be thought of as Z movies avant la lettre.

Latter-day Zs are often characterized by violent, gory or sexual content and a minimum of artistic interest; much of which is destined for the subscription TV equivalent of the grindhouse.

Psychotronic movie is a term coined by film critic Michael J. Weldon—referred to by a fellow critic as "the historian of marginal movies"—to denote the sort of low-budget genre pictures that are generally disdained or ignored entirely by the critical establishment.

According to Weldon, "My original idea with that word is that it's a two-part word. I very quickly expanded the meaning of the word to include any kind of exploitation or B-movie.

Use of the term tends to emphasize a focus on and affection for those B movies that lend themselves to appreciation as camp.

B-television is the term used by the German media scholar Heidemarie Schumacher in her article From the True, the Good, the Beautiful to the Truly Beautiful Goods—audience identification strategies on German "B-Television" programs as an analogy to "B-movie" to characterize the development of German commercial television, which adopted "the aesthetics of commercials" with its "inane positiveness radiated by every participant, the inclusion of clips, soft focus, catchy music" as well as "promotion of merchandise through product placement".

Newly established commercial stations, operating without the burden of societal legitimacy, focused solely on profitability. To establish and maintain viewer loyalty these stations broadcast reality shows, sensational journalism, daily soap operas, infotainment programs, talk shows, game shows and soft pornography.

From Wikipedia, the free encyclopedia. This article is about the film type. For other uses, see B movie disambiguation.

Low-budget commercial film genre. Main article: B movies Hollywood Golden Age. For British B movies, see Quota quickies. Main article: B movies in the s.

Main articles: B movies exploitation boom and Midnight movie. Main article: B movies since the s. Main article: Z movie. Main article: B-television. Encyclopedia Britannica.

Retrieved August 4, See also Schatz , pp. Taves like this article adopts the usage of "programmer" argued for by author Don Miller in his study B Movies New York: Ballantine.

As Taves notes, "the term programmer was used in a variety of different ways by reviewers" of the s p.

Some present-day critics employ the Miller—Taves usage; others refer to any B movie from the Golden Age as a "programmer" or "program picture".

In its peak year, , Grand National did produce around twenty pictures of its own. Finler lists The Country Girl as , when it made most of its money, but it premiered in December The Seven Year Itch replaces it in this analysis the two films happen to be virtually identical in length.

See also Shapiro , pp. Rutgers University Press. See also p. It appears Corman made at least one true B picture—according to Arkoff, Apache Woman , to Corman's displeasure, was handled as a second feature Strawn [], p.

DVD Verdict. Archived from the original on October 20, Retrieved November 17, Hayward, cited in Biskind , p. Finler lists Hello, Dolly!

The Owl and the Pussycat , 51 minutes shorter, replaces it in this analysis. For purchase of Ivanna : Di Franco , p. See Reynaud also for Loden's fundraising efforts.

Sense of Cinema. Retrieved December 29, For its influence: Sapolsky and Molitor , p. For its influence and debt to Black Christmas : Rockoff , pp.

Box Office Mojo. Archived from the original on December 30, Retrieved January 8, Archived from the original on December 6, Dick Tracy literally had been B movie material—the character was featured in four low-budget RKO films in the s.

For how espionage and crimebusting thrillers were long "widely regarded as nothing more than B-movie fodder," see Chapman , pp.

For details of the film's distribution, see Lewis , pp. Archived from the original on January 17, Retrieved January 2, Retrieved August 13, Saroyan, Strawberry May 6, Archived from the original on February 25, Retrieved June 22, Spectrum Strategy Consultants.

Archived from the original PDF on February 3, Retrieved April 27, Film Threat. Archived from the original on March 10, Retrieved October 20, Archived from the original on October 12, Retrieved December 26, Utter Trash.

Archived from the original on September 11, Schüren Verlag, Marburg. Archer, Eugene Auty, Chris Balio, Tino [].

Bristol, UK, and Chicago: Intellect. William Johnson, pp. Englewood Cliffs, N. Hollywood Films of the Seventies.

Canby, Vincent Chapman, James Jefferson, N. New York: Da Capo. The Story of Film. New York: Thunder's Mouth. London: Netribution.

Denisoff, R. Serge, and William D. Romanowski Risky Business: Rock in Film. New Brunswick, N. Poshek Fu and David Desser, pp. Philip, ed. The Movie World of Roger Corman.

New York and London: Chelsea House. Epstein, Edward Jay New York: Random House. The Hollywood Story , 3d ed. London and New York: Wallflower. London: B.

Russ Meyer—The Life and Films. Haines, Richard W. The Moviegoing Experience, — Dallas: Heritage Capital. Manchester, UK: Headpress. Durham, N.

The Warner Bros. New York: Crown. The Columbia Story. London: Hamlyn. Midnight Movies. Mark Jancovich, pp. Iain Robert Smith, pp.

Nottingham: Scope. Hurd, Mary G. Women Directors and Their Films. Westport, Conn. The RKO Story. New York: Warner.

American Independent Cinema. London and New York: I. Beasts and Behemoths: Prehistoric Creatures in the Movies. Lanham, Md.

Julia R. Dobrow, pp. Hillsdale, N. Film Genre: Hollywood and Beyond , 2d ed. Edinburgh: Edinburgh University Press.

Santa Monica, Calif. Blaxploitation Films of the s: Blackness and Genre. New York and London: Routledge. Obituaries in the Performing Arts, Transforming the Screen: — New York et al.

Hollywood v. Philip Westerns in a Changing America, — Lyons, Arthur Mank, Gregory William Mathijs, Ernest, and Xavier Mendik,eds.

The Cult Film Reader. New York: Algora. New York: E. New York: W. Morrow, John Mottram, James New York: Macmillan.

New York: St. Focus on the Western. O'Connor, John J. Oppermann, Michael Ottoson, Robert Metuchen, N. New York: Columbia University Press.

Prince, Stephen Berkeley: University of California Press. Time Out Film Guide , 14th ed. London et al. Directing: Film Techniques and Aesthetics , 4th ed.

Burlington, Mass. Morrisville, N. Rubin, Martin The Films of Joel and Ethan Coen. James B. Weaver, pp. Mahwah, N.

Thomas Schatz, pp. London: Faber and Faber. Boom and Bust: American Cinema in the s. TV 92 min Action, Adventure, Comedy. A giant crocodile goes head to head with a giant anaconda.

The town Sheriff must find a way to destroy the two monsters before they kill the whole town. Director: A. R 77 min Comedy, Horror.

A fun weekend turns into madness and horror for a bunch of groupies looking for fun in a beaver infested swamp. Not Rated 99 min Horror, Thriller.

A young college student desperate for tuition money moves into a house that streams content to an X-rated website. After a deranged fan determines the house's location, she finds herself in Votes: 8, R 88 min Comedy, Horror.

A typical weekend down the shore takes a bizarre turn as six girls and five obnoxious fist-pumpers become the unsuspecting targets of a deranged killer.

A mentally unstable woman begins a volatile descent into madness when she suspects her lover has left her for another woman. Forbidden Science is a unique blend of noir science fiction and erotic programming combining intelligent scripts, attractive characters with great production value.

Set in the near future, Sign In. Copy from this list Export Report this list. Refine See titles to watch instantly, titles you haven't rated, etc.

IMDb user rating average 1 1. Error: please try again. Alpha House Video Unrated 88 min Comedy 3. Lake Placid vs.

Zombeavers R 77 min Comedy, Horror 4. Goddess of Love 93 min Drama, Horror, Mystery 5. List Activity Views: , in last week Tell Your Friends Share this list:.

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